Large Cope & Co Mask
Lovely hand painted ceramic wall mask, stamped to the reverse Cope and Co, England and numbered 21. Condition is very good other than an underglaze mark to her cheek. 7 inches (18cm) tall.

Flower Lady Wall Mask by Dux
Fine ceramic wall mask made in Czechoslovakia by Royal Dux, stamped to the reverse. Very good condition. 7.5 inches (19cm) high.

Fish Wallpocket by Clarice Cliff
This is the larger mushroom glaze Wilkinson fish wall pocket, signed with the blue stamp mark to the reverse. It measures nearly 12 inches (30cm) high and is in good condition.

Goldscheider/Myott Wall Mask
Fine ceramic Venetian style wall mask made in the early 1940's when Goldscheider fled Vienna to England, where he worked in conjunction with Myott and Co. of Staffordshire. Originally designed by Rudolf Knorlein in 1933. She is unmarked but there is an impressed number. She measures approx. 8 inches (20cm) high and is in excellent condition. Can be seen in the Filip Goldscheider book, page 125.

1930's Goldscheider Mask
Austrian terracotta mask measuring 6.5 inches (16cm) high, made in 1934 and marked to the reverse model number 6871, Goldscheider, Wien. Made in Austria. Retains its original label to her scarf. Very good condition.

Rare Wall Mask by Goldscheider
I have never seen this terracotta mask before. It is a rare 1930s Goldscheider and is beautifully hand made and hand painted. It is marked Goldscheider, Wien, Austria to the reverse. 6.5 inches high (16cm). Very good condition.

Wall Pocket
Classical ceramic lady wall pocket measuring 6.5 inches (16cm) tall and marked to the reverse, Japan. Condition is good but there is an old crack to one side of her cheek, which is barely visible unless pointed out.

Large Wall Mask by Goldscheider
This huge ceramic mask measures approx. 12 inches (30cm) high and has a matt terracotta glaze face and is marked Goldscheider, Wien model number 7784 to the reverse. It also still bears the original retailers label for Kristallecke Stuttgart. Condition is very good. Designed in 1937 by Adolf Prischl. Can be viewed in the Filip Goldscheider book page 470.